Tag Archives: Horror


The girl with bare feet and moonlit hair walked closer towards a mound of fresh earth. She stared for a moment and felt anticipation crawl over her skin (maybe it was just the dirt falling off of it).
“I’m here,” she said, her words flat. She waited for something, someone, and looked about her, as the wind whispered for her hair to tickle her jaw.
“You hear me? I’m here.” This time she spoke louder, her words breaking through the air. She watched the mound of earth at her feet. “Can’t…can’t you hear me?” she said, sitting, pulling her knees into her chest.
She waited a moment, expecting an answer, but one did not come. She traced her fingers across the top of the dirt, barely breaking the surface.

Hours later, she found herself strewn alongside the mound, and the waxing moon baring down upon her. She stood and sighed, flared her nostrils and as she opened her mouth to speak again, she felt the ground underneath her shift. A whimper of excitement left her lips. She fell to her knees and immediately began clawing at the earth like a furious rodent. She listened for a sound, and she felt for more movement, digging and digging anxiously.
Suddenly, a pallid, grimey hand broke through the surface, like a drowning man in an ocean coming up for air.


She smiled.

Where Are All The Eyes?

A short.

Elie Dearing loved to draw. She loved singing, and dancing in her room in the middle of the night, but mostly she loved to draw. Her favorite things to draw were happy trees, bright yellow suns, flowers of all colors. One Christmas, Elie received a one of a kind art set, complete with every color, every paintbrush imaginable. One of her favorite creations was that of her mother, from before the accident, when she could still walk without the use of a cane or a wheelchair.

“Right here, wait nurse.” The nurse wheeled Ms. Dearing in, just outside of the visitation room, where Elie was waiting.

“How is she, Dr? Has she been responding to the treatments?”

The doctor looked into the window of the visitation door and stepped back, smiling. “She’s been waiting, Ms. Dearing. I don’t think she’s ever been closer to being able to sleep in her own bed once more.”

The look of disbelief and joy on Ms. Dearing’s face was apparent as she shook her head. “Dr! Yes?”

The doctor nodded. “I stayed up half the night, Ms. Dearing, asking myself. Pouring through the files. The tapes. All of her progress. She’s ready. We’ve made a breakthrough.”

“Oh, Elie!” Ms. Dearing exclaimed, wheeling herself through to meet Elie, crying tears of joy.

“Mama!” Elie shouted, running to meet her mother, her white nightgown swishing between her ankles. The two embraced and held each other, until Elie spoke. “Can we go home now, Mama?”

“Yes, El. Oh, yes.”

Elie looked at the nurse and doctor as if to ask  “it is true?”

The doctor nodded and approached Elie, pulled on his coat and kneeled. “I have something for you, Elie,” he said reaching into his coat pocket. He pulled out a box of brand new crayons. “Remember, you are the creator. Everything is going to be okay. Everyone hear, your mother-we are all proud of you, young lady. When you use these, remember what you’ve learned here. Sometimes our imaginations get the best of us. It’s all make believe.”

Elie nodded and gladly accepted her gift as she and her mother made their way out of the facility.

“I’m so happy for them. I remember the day she got here, ” the nurse said softly.

“We all do. We all do,” the doctor sighed.


Nine Months Before.


“Mama! Do we have more tape?” Elie asked, running down the stairs, hair unkempt and nightie freshly laundered. “I have another picture to put up!”

“Another one, huh?” her mother smiled, looking through the kitchen drawers. “Hmm, I know I saw a roll here somewhere…ah.” She reached in and handed the tape to Elie. “You’re saving me money on wallpaper, El.”

“Thank you!” Elie shouted as she darted back upstairs. She rushed through her bedroom door and jumped just in front of her easel, where her latest creation awaited to be hung, just as so many others had before it. Her walls were full of her “masterpieces” as her mother called them. Creatures of all shapes, sizes, colors. All smiling.

She made her way upstairs just as Elie put the last piece of tape on her creation. “Lemme see that, oh, that is a new one, ” she grinned, looking at the picture. “You have a lot like this, but this one is a bit different.”

“His name is Ollie. He asked me to draw him,” Elie announced proudly, patting down the taped edges. “That’s his sword. He likes red.”

“Did he now? Well, I hope he can help with your chores. Bedtime in five.”



A few hours later, a voice directly above Elie’s bed whispered. “Elison…ehhhhlllllison.”

Elie’s brow furled and she pulled the blanket tighter over her body.

The thin, raspy voice continued. “Elison. Finish me.”

“Ollie, not now.’

“Now, Elison. Now.”

Her eyes looked straight up at the ceiling and the overwhelming urge to draw, to create made her kick off her blanket and tear the page from the wall. She jumped off the bed and searched through one of many boxes of assorted broken and full crayons and pencils.

“I have eyes to see, and a mouth to speak, I am in need of hands to feel and feet to wander,” the drawing Ollie said.

Elie giggled, as she drew big feet and big hands on Ollie’s misshapen body. “There, now you can go anywhere, Ollie.”

“Thank you, Elison, I shall.”

“Elie! You better be in bed!” Her mother sounded from her bedroom below.

Elie didn’t say a word, as she placed her index finger to her mouth. She quietly picked up the drawing, placed it back in it’s place, and slipped back into bed. “Goodnight, Ollie.”

“Goodnight, Elison.”



The day had came and went and after dinner Elie was once again in front of her easel. She drew a creature similar to the others, like Ollie, and when she drew a mouth she heard a voice.

“Ehlisun.” Elie looked up and over to where Ollie’s picture was hanging.


It wasn’t Ollie.

She crept closer to the picture, but all that was left was the red sword.

“Ollie? Where are you?” she asked bewildered at the missing creation in the paper. She stood up on her bed and tried looking into the picture, when the voice spoke again.

“No more Ollie. He wanders. Finish me, now,” the voice demanded. “Then the others.”

Elie stepped back and off of her bed. Her innocence and naivete betrayed her. She just loved creating. At once she picked up her drawing pencil and bean finishing her newest creation.

“Finish me,” the voice grew impatient.

“I am, I’m trying.”

“Elie!” her mother shouted from below. “You ok, sweetie?”

Elie looked at the drawing, a rather sinister looking fellow at formed on the paper.

Elie responded, with some hesitation.  “Yes, Mama.”

“Ok. I’ll be up to tuck you in in five.”

“That’s it for now. I’m tired,” Elie said through a yawn.

“NO,” the pencil creature said with a growl.

“YES,” Elie responded.

Before the drawing could answer, Elie’s mother walked in, noticing the new picture. She grew concerned.

“Elie? This a new one?”

“Yes, mama. He’s a bit angry, I think.”

“It appears so,” Elie’s mother joked nonchalantly.

“Come on, let’s tuck you in.”



Later that night the picture spoke.

“Finish me.”

Elie rubbed her eyes and fought the voice for a minute, but it grew louder and more forceful.

“Finish me…or else.”

“I…I can’t.”

“You will,” the voice threatened, “and you will give me legs to crawl on. Claws to grasp with. Teeth to gnash. Ears to hear their whimpers.”

Elie was a smart girl. This was different. This creation was different. Very bad.

The drawing laughed.

“I have eyes to see. A mouth to swallow. Legs to crawl on. Claws to grasp with. Teeth to gnash. Ears to hear their whimpers.”

Legs to crawl on. Claws to grasp with. Teeth to gnash. Ears to hear their whimpers.

Elie screamed and woke her mother immediately.

“Elie! What’s wrong?” her mother said dashing through the door.

Elie had the paper in her hand erasing the mouth from the picture.

“”Elie, honey!” Her mother grabbed the paper from her hand and crumbled it.

“Enough with the drawings. At least for one day. You need your rest.” Her mother picked her up and Elie stared down at the crumpled piece of paper. “There we go,” her mother whispered, kissing her on her forehead. “Sleep.”

Elie tried closing her eyes but she kept opening her eyes and staring at the ball of paper on the floor. “Eyes see you,” said a voice from the ball. She shut her eyes as tight as she could and sleep finally found her.

The next morning, Elie woke up to what seemed like a hundred and one voices.

“Finish us?” Yelled one voice.

“Finish me!” Whispered  second, and third.

Finish them!” Shouted another.

Elie put her hands to her ears, but it was too late. Word had gotten out. The drawings craved to be made whole.

“We see you while you lay.”

“We see you!”

Frightened, Elie grabbed her thickest erasure and started removing all of the eyes from each and every picture. She then moved on to their mouths but was interrupted by her mother. Pink rubber shavings lay at her feet as she walked towards her mother with tears in her eyes.

“Sweetie, what’s wrong?”

“They all want me to finish them,” she cried.

Having no reason to believe it was nothing but her child’s vivid imagination, her mother simply consoled her.

“Oh, honey, I’m sure they would understand if you do one at a time.” She put her arms around Elie and noticed the pictures.

“Elie…where are all the eyes…?”

“I don’t want them to see me…” Elie sniffled.



Elie’s mother talked on the phone while she cooked dinner. As she explained to her friend what Elie had said earlier, they both laughed. “I know, I know. She’s always been the one with the wildest imagination. Her and her drawings.”


Meanwhile, upstairs Elie stared at the crumpled ball of paper in the middle of the floor. Her mother threw it in the trash.

“Elihthun…Im sory,” a voice from the paper whispered. How could it still talk? She drew closer to the paper, and straightened it out. Some of the mouth was still there.

“Im sory. Finish me an I will tel thum all to stop,” he said, his voice muffled.

“You promise? Will you tell Ollie to come back?”

“Yes. Yes. Yes.”

Elie took a pencil and began redrawing the figure and made sure to add a smile. She gave him big hands and big feet, just as she had Ollie, and smiled.

“There. You’re done. Would you like a tree or some flowers?” Elie asked innocently.

“No. I don’t want flowers, but teeth to gnash!” He yelled.

Elie backed away, as the form became distorted and began pulling itself off of the paper.

Legs to crawl on. Claws to grasp with. Teeth to gnash. Ears to hear their whimpers. Ollie is DEAD!

Elie screamed but her mother was outside.

Soon all of the pictures on her wall began screeching, in unison:

Legs to crawl on. Claws to grasp with. Teeth to gnash. Ears to hear their whimpers.

“Mama! Mama!” Elie was frozen.

The dark drawings arm was flailing above the paper pulling at one of its legs, growling. It kicked its leg, hitting a trash bin into a lamp knocking it onto the bed, causing it to smoke. A fire began to spread from the bed up the walls, burning the “masterpieces”, all shrieking in agony. The now fully-formed figure became frightened of the flames, but tried reaching for Elie, whom he blamed for starting it.

“You create us only to destroy us?”

Elie sat crying in a corner, unable to get out. “Mama!” she cried.

The fire was a full roar now and the creature lunged defiantly at Elie. A beam from above fell on him and the fire quickly consumed his paper body.

“Eyes see youuuuuu!” He screamed.

“Elie!!!” Her mother yelled so loud everything else seemed to hush.



She made a desperate attempt to grab Elie and threw her towards the bedroom door. “Run, Elie! Ru-!” A second beam fell on her legs. She managed to push it off but was severely wounded. She crawled towards the door to hear Elie, now downstairs calling for her. “Elie, 9-1-1! 9-1-1!”

Her mother made the arduous trek down the stairs and the firemen came soon after, but the house had suffered too much damage in the flames.

Disoriented, Ms. Dearing fought for words to ask Elie what had happened.

Crying, Elie tried explaining it all to her mother. Ollie, the drawings, the voices. A member of EMS objected and placed the oxygen mask over her face.

“You took in a lot of smoke ma’am.”


In the morning as the ash still smoldered, a member of the fire department surveyed the area, stepping over a piece of paper. On it, a doodle with a smile. The smile turned into a malicious sneer. A  whisper in the air spoke:

Legs to crawl on. Claws to grasp with. Teeth to gnash. Ears to hear their whimpers.


The end?


Happy Halloween!

In the Spanish and Mexican culture there is a vast amount of tradition. Chiefly among them, the folklore, which are stories based in part on truth, and have been passed down from one generation to the next. Notable examples are La Llorona or The Crying Women, the myth of La Lechuza or witch/harpy bird, and of course, the legend of Chepita Rodriguez, whom many say was the first women to be executed in Texas. Wrongly accused of theft and murder, the legend says she haunts San Patricio County in South Texas to this day-with a noose around her neck.


The following is a similar story, albeit one lesser known. In fact, beyond that of my family and my elder’s closest friends, it may not be known at all. Today, it will be. In the late 1930’s there was a young man named Andres. Andres was a little over 13 years old. Andres was, to say the least, a very angry child. Here is the account of Andres, as it was told to my father, by his father Bruno, and how this young boy’s life was forever changed.


I call it,




Socorro and Alejandro were immigrant workers in South Texas and prided themselves on a hard day’s work. They did their part during the day, toiling in the heat of the summer, and each evening when the sun would start to fall, they went home, tired but happy. Whatever food they could afford was more than enough and Socorro would always provide a decent meal for herself, her husband, and their only child, Andres. Somehow Andres, when he was actually home, found room to complain. The food was too hot or too cold, too bland or too spicy it was always never good enough. When he was younger, Socorro made excuses for him and blamed it on simple child-hood pickiness. As the years went on however, she began to believe that he truly meant to discourage her. This attitude was true for everything she did in the house. Alejandro intervened and begged Andres to listen and to show respect, after all, she was his mother. Andres cursed his father each and every time. When Alejandro went to further discipline his son, Andres would be gone in moments, prowling the neighborhood, looking for algo que hacer, something to do.

“¡Tienes que obedecer, hijo! Tu eres el unico que tenemos!” “You must obey, son! You’re the only one we have!” his mother would cry out to him as he walked away. She loved him unconditionally.

He would yell back to her, “It’s not my fault your barren!” among other curses and obscenities. He was getting worse and worse and the more they tried to discipline him, the more he resisted.

The elderly neighbor, Mariana, a close friend of the family’s, would hear every curse thrown at them by Andres. When she would visit, Socorro would appeal to her and ask her advice. Many times Mariana would console her and explain that it must be a phase and to keep disciplining him. But she knew it was not enough.

One day, while Alejandro was away, Mariana tried to intervene.  Andres threw piedras, rocks, at her and cut her cheek with one of them as he cursed at her. Fed up with how he treated his parents, she yelled at him, “¡Nino miserable! Los demonios le mostrara si no aye nadie mas puede!” Miserable child! The demons themselves will show you, if no one else can! Forget about me, obey your parents!”

He spit at the ground in front of him; a sign of disgust towards her and kept on walking.

“I pray to God for your protection but Lord knows!” she yelled at Socorro before slamming the screen door of her home.

Later that evening, Socorro paced the living as Alejandro sat on the couch. It was after midnight and Andres had not come home yet. This was rare. He would be in his room by this time, everynight, regardless. Then they heard a noice outside.

“Andres?” his father yelled out.

¿Que te importa? Ya bete a dormir, pinche hombre viejo. Tu y tu mujer! Voy para el bano! Ya dejame!” he yelled.

“What’s it to you? Go to sleep already, you old man. You and your women. I’m going to the bathroom. Leave me be!”

In those days, an outhouse served as a bathroom for families.

Alejandro and Socorro looked at each other and their faces fell in sadness. “What do we do?” she began asking him. Not having any solutions, they stood in silence and bowed their heads.

Their voices were drowned out by Andres’ sudden screams coming from outside. His screams were so real and horrible, his parents froze for a moment, but soon Alejandro gathered himself and darted out of the door. He grabbed his machete. Socorro ran behind him. The screams became louder and ominous.

Andres! Que te pasa, hijo?” Andres! Andres!” Alejandro shouted with terror. They reached the outhouse as it moved from side to side slightly. Loud and intense pounding of the walls filled the night as Alejandro tried desperately to break down the locked door, hacking and attempting to slice through the splintered wood. They yelled to him again and again. Andres’s cries were otherworldly. “¡Ama! Ama! Apa! Son muchos!!!” He yelled. “Mother! Mother! Father! There’s many!” The hitting and scraping of the outhouse walls and door intensified with screams of “leave me! Oh, Lord! Leave me!” Andres let out one last cry that shook his mother’s heart and caused her to fall to the ground. Then complete silence. Alejandro, out of breath, gave one final chop to the door and yelled out to his son. There was no answer. Alejandro opened the door and knees buckling, fell to the ground, making the sign of the cross over and over…and over again.

Andres lay huddle in the corner of the outhouse, one bloodied hand almost clutching the wall, the other around his knees. He was brutally beaten. His clothers were torn, tattered, and long, deep cuts crossed his chest. His fingers were bleeding and scratches covered his face. Clumps of his hair were strewn on the ground, covered in blood. As Andres stared blankly at nothing in particular, he whispered a single word, over and over:







Overtime his wounds healed, though the scars remained. His mental state was what the doctors called, “perdido“…lost. Andres was sent to an asylum.

The only word he would ever speak was “forgive me” in Spanish:


 Alejandro and Socorro never had other children. They were never the same.


True story.

*This story was published in Underneath The Juniper Tree’s blog 10/2011. Here is the latest and greatest Halloween /13 ISSUU!


Una Noche Con Los Muertos. A Night With The Dead

Gael was ready. He had been waiting all month for this night. The party, he thought to himself. It was a Halloween party. He looked into the mirror and forced a smiled. Just a few weeks earlier he and his long time girl friend Vida had broken off the relationship. It was her decision, and he was crushed. This night would be a great opportunity to finally get out of his depression and maybe, just maybe he would enjoy himself and get Vida out of his mind. His friends constantly texted and called him until they finally convinced him. He sighed and continued putting on his face paint. A few days from now would be Dia De Los Muertos, and in honor of the holiday and the tradition of his famila, he was going to be a muerto– a dead man-tonight. His face resembled a real skull. He had many years of practice transforming into one of the dead, so he wanted it perfect. And it was.

Later that evening, Gael found he was actually having a good time. He was smiling and talking. Everyone loved his make-up and outfit. The intricacies, outlines, the arte on his face, everything was brilliant. Vida who? He kept repeating. He even won a best costume contest. He was glad he came. Then the night became even better as he noticed from across the room a beautiful girl eyeing him. She had a matching costume. A muerta. Dead woman. He was smitten. Gael waved and walked over to her.

“Hey. I’m Gael. Uh, Gael Ortiz. Great party, right?”

“It really is! That make-up is perfect. It looks so real!” she said to him smiling.

“How cool is it that we’re both dressed as muertos? Yours is…I mean you should’ve won the contest!” he smirked. He stared at the intricate work on her face. “It’s really something…and that dress! Authentic would be selling you short!”

She laughed and stared into his eyes. “Thank you! Oh, I’m Araceli Santa Anna! Nice to meet you!” she shouted over the noise.

He looked at her beautiful black hair and in it was an even more stunning blood red rose.

“Hey, Araceli, you…you wanna go outside to…talk? It’s-“

“Loud?” she interuppted, laughing. “Let’s.”

Gael allowed her to go in front of him and they found a quiet spot in the back porch.

“So, Araceli. I know it’s probably the make-up but…I don’t recognize you. Where you from?” Relax Gael, he thought to himself. “I mean…your name is beautiful.” Gael put his hand to his neck.

She smiled and put her head down, the make-up hiding her flushed cheeks.

“Thank you, Gael. It’s so beautiful out here isn’t it?” she said ignoring Gaels question.

He didn’t care. It didn’t matter where she was from. It only mattered that he had met her, tonight.

“It is, Araceli. Your dress is beautiful.” He walked closer to her and looked into her eyes. She turned away.

“My mother made it a long time ago.”

“A long time-“ he began to ask.

“I mean, well she made it for me a long time ago and…now I fit into it.”

“Oh,” he whispered.

“My family will be here visiting for Dia de los muertos. Hey!” she yelled chain the subject. “It’s Halloween! Let’s go to the cemetary!”

He looked puzzled and realized that yes, it was Halloween.

“Cool. A couple of muertos prowling in the night!” he shouted.

“It’ll be una noche de los muertos!” she smiled back.

“De veras!*” he nodded.


They walked hand in hand a few blocks, passng trick-or-treaters young and old. They were met with oohs and ahhs and thumbs up. They seemed to be a perfect match, especially this night. For the first time in a long time, Gael was happy. Vida had indeed left his mind.

They arrived at the gates of the cemetary and looked at each other.

“It’s something isn’t it?” he asked.

“What, the cemetary? Or…”

“Well, yes, but everything. Halloween, dia de los muertos. Everything.”

“Definitely, Gael,” she whispered, squeezing his hand. “Hey!” she yelled suddenly. “Hide-and-go-seek!” she shouted as she ran away from him.

He was surprised and slightly hesistant but gathered the courage. Why ruin this night? He asked himself.


He let her get a small headstart and covered his eyes.

Then he felt a drop on his hand. And another. And another. Then a lot.

It started to rain.

“Aw, man. Araceli!” he shouted. The night was now darker because of the rain. His heart started beating faster and faster as he searched for her. He rubbed his eyes as his make-up started to melt. He couldn’t see that well through the paint and rain and tripped over a headstone.

“Dammit,” he grunted. “Araceli!” he yelled frantic now. Then he heard footsteps sloshing in the rain coming closer and closer.

“Hey!” It was Araceli.

Gael sighed a sigh of relief.

“The rain made it even better don’t you think? You couldn’t find me!” Araceli was overjoyed, her excitement showing in every word.

“If you say so.” He started getting up and noticed the tombstone in front of him. He frowned but laughed all at once.

“Look at that!” he shouted. “The name on this marker says Araceli. I can’t read the last name. Here, come help me clean it off.” He hadn’t looked up at her until then.

His mouth dropped and he jumped up, backing away slowly.

“Gael? What’s wrong?”

“You’re make up!” he screamed. His face was pale through th streaks of make-up. “You’re make-up. It didn’t come off!”

Araceli put her head down.

“Of course not. It’s…it’s not…it’s not make-up,” she said sounding sad and ashamed now.

Gael started shaking and couldn’t speak.

She stepped towards him and her eyes caught the moonlight.

Araceli became blurry as Gael fainted and fell in the mud.


A few moments later, he awoke with Araceli kneeling over him.


“What are you?”

“I’m dead,” she said softly. I’m dead, Gael. Muerta.”

His eyes shot open and he slowly turned his head towards the gravestone, now washed clean. It read:

Here Lies Araceli Catrina Santa Anna. Beloved Daughter and Sister

“Una Vida Corta Pero Hermosa.**”


Gael gulped and in his stupor whispered these words,” “Primera Vida y ahora…la muerta***.”

Dia De Los Muertos by Claudia Lucia McKinney

The End?


*truly or, for real

**A short but beautiful life

*** First Vida(life)…now, death.


UnaNoche Con Los Muertos. A Night With The Dead. Happy Days.


Mary Godwin.

She created perhaps one of the best known characters of literature. One that would live forever and be told again and again. One that would inspire countless writers and even more debates of the meaning behind it all.


She is better known…as Mary Shelley.

She got the idea in a dream. I saw the pale student of unhallowed arts kneeling beside the thing he had put together. I saw the hideous phantasm of a man stretched out, and then, on the working of some powerful engine, show signs of life, and stir with an uneasy, half vital motion. Frightful must it be; for supremely frightful would be the effect of any human endeavour to mock the stupendous mechanism of the Creator of the world. Continue reading

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